At first I was impressed with the book, the reading was quite easy. But then "facts" about the number of Afro-Americans serving in the Civil War were confusing. At least three different numbers were cited. The differences in the numbers had a factor of three or more. That simply cannot be the case. Other inaccuracies appeared in the text which lead me to the impression that the book was researched by different people, maybe students, I really don't know. From an intellectual point of view, the discrepancies are glaring and leaves one the believe Claude Anderson's efforts were disingenuous. If the author cited blacks as victims of the holocaust, then he should have cited references to support this notion.

Although Anderson unapologetically represents a black point of view throughout the book, his stories and mini facts are great gems of information. Critics who argue that the book is poorly researched because they claim Anderson cites has more than one figure for the number of blacks who fought in the Civil War are forgetting that some numbers represent the number of blacks fighting at a given point in the war--over all, his number of 200,000 is the generally accepted number. Although he can be one-sided (I think he diminishes the suffering of Indians in some cases), the book overall is a must read and contains some little known dirtly little tidbits about American history.

I ENJOYED THE INFORMATION THAT WAS PROVIDED BECAUSE I DEFINITELY WAS NOT TAUGHT ANY OF THIS INFORMATION IN SCHOOL. IF YOU'RE AN AFRICAN AMERICAN, YOU SHOULD POSSESS ONE COPY OF THIS BOOK LIKE YOU MAY HAVE A BIBLE IN YOUR HOME. ALSO, MAYBE A LOT US US NEED TO START SEARCHING OUR FAMILY TREE.

Amazing that Coleman Barks credits himself as translator of Rumi, despite apparently never having even read Rumi's writing in the original Persian. R. Nicholson, whose translations from the original Farsi Barks cribs (sorry - "rephrases") in several books, himself admits: "I do not, of course, pretend to have understood everything..." No such humility encumbers Barks, however. Apparently, his unique spiritual insights into Rumi make reference to the original writings unnecessary. At worst, this is the channeling approach to translation. At best, it is postmodernist orientalism. The scholar Nicholson writes that "no writer can fairly be judged by fragments, however fine..." Barks seems to agree, writing that his poems are "buckets lifted from a whole, whose connectedness runs its vast and intimate course..." To get a glimpse of that course, take a look at the translation Nicholson recommends, Whinfield's Masnavi, still in print through Octagon Books, under the title "Teachings of Rumi". The New York Times equates Barks's Rumi success with Kahlil Gibran's popularity in the sixties. That's good for Barks, at least financially. Whether he accurately conveys the teaching of the poet whom even contemporary Sufis refer to as "Our Master," or even approaches the literary value of that original, is another matter.

Before judging the quality of Like This note that Barks titles them "versions by Coleman Barks." Barks does not read Rumi in the original but rather produces secondary translations through working with scholars who can read the original. If you are looking for a translation which carries the flavor of the original language, these translations are not for you. If, however, you are interested in reading poetry that tries to maintain original images and make them understandable to the Western mind, then you will find that Barks achieves his goal very well.

Like This contains 43 odes originally translated by John Moyne, a linguist at CUNY; Coleman Barks has then used in skill in English poetry to make version of these poems. What is most evident in his versions is that he has spent many years with the material and has developed a "sense of it" without mistaking that "sense of it" with being a Sufi Master.

If you have an interest in Sufi or religious ectastic poetry, this volume is well worth your time. If you are a 12th-13th century Persian scholar they are not. An example: "There's a tradition that God can be seen / in the color red. In the lights / that come from red hair!" - interesting thought which arouses in me, at least, a healthy curiousity regarding the tradition.

must rea

i just bought it today and it is pretty good.i had a little hard time understanding the meanings but that is becuase i am a beginner and i have not had much experience. but for the most part its pretty good. the art on it is ok. its nothing too special but i would recomend it.

I like this deck a lot - it's the standard Rider-Waite-Smith deck, sized down to 'pocket size'. I usually carry it in my pouch for use in in-situ readings.

The two drawbacks I see in this deck are :

- The little white book isnt the same size as in the miniature deck (which is rather small).

- The cardbox isnt glued well and is a bit larger than the cards, so it's ruined quickly.

I'm using the Rider-Waite deck for over a year now, and have met two problems with the standard size during that time.

First, the deck in a box (and, at least in Israel, it's a bit hard to find a reasonable sized tarot box) is not easy to carry - it's a bit too big.

Second, many people find the cards a bit too big to be easily shuffle, especially women - there's a reason for regular playing cards being smaller than regular tarot cards.

And yes, I know there's a tradeoff between card size and details, which is why I prefer to use the regular size deck at home, but when I take the deck with me the combination wins.

Coleman A. Jennings was a professor of mine at the University of Texas at Austin, and this collection was a required textbook for his class. Instead of selling back the book when the semester was over, I kept it, because the plays are such good ones. As the Booklist review says, the anthology includes original plays as well as adaptations of well-known folk and fairy tales.

Quite the multicultural collection, many countries and cultures are represented: Cajun, Native American, African, Jewish, Eskimo, Southern Plantation, Russian, Central American, Japanese, and Scottish.

The plays and authors included are: 1. Charlotte's Web - Joseph Robinette 2. The Arkansaw [sic] Bear - Aurand Harris 3. Really Rosie - Maurice Sendak 4. The Secret Garden - Pam Sterling 5. Wiley and the Hairy Man - Suzan Zeder 6. According to Coyote - John Kauffman 7. The Mischief Makers - Lowell Swortzell 8. The Wise Men of Chelm - Sandra F. Asher 9. Crow & Weasel - Jim Leonard 10. The Ice Wolf - Joanna H. Kraus 11. Home on the Mornin' Train - Kim Hines 12. The Falcon - Greg Palmer 13. The Man-Child - Arnold Rabin 14. Hush: An Interview with America - James Still 15. Bocón - Lisa Loomer 16. The Crane Wife - Barbara Carlisle 17. Jungalbook [sic] - Edward Mast 18. A Thousand Cranes - Kathryn S. Miller 19. The Yellow Boat - David Saar 20. Selkie - Laurie Brooks Gollobin

Coleman A. Jennings was a professor of mine at the University of Texas at Austin, and this collection was a required textbook for his class. Instead of selling back the book when the semester was over, I kept it, because the plays are such good ones. As the Booklist review says, the anthology includes original plays as well as adaptations of well-known folk and fairy tales.

Quite the multicultural collection, many countries and cultures are represented: Cajun, Native American, African, Jewish, Eskimo, African American, Russian, Central American, Japanese, Scottish, and more!

The plays and authors included are:

1. Charlotte's Web - Joseph Robinette 2. The Arkansaw [sic] Bear - Aurand Harris 3. Really Rosie - Maurice Sendak 4. The Secret Garden - Pam Sterling 5. Wiley and the Hairy Man - Suzan Zeder 6. According to Coyote - John Kauffman 7. The Mischief Makers - Lowell Swortzell 8. The Wise Men of Chelm - Sandra F. Asher 9. Crow & Weasel - Jim Leonard

10. The Ice Wolf - Joanna H. Kraus 11. Home on the Mornin' Train - Kim Hines 12. The Falcon - Greg Palmer 13. The Man-Child - Arnold Rabin 14. Hush: An Interview with America - James Still 15. Bocón - Lisa Loomer 16. The Crane Wife - Barbara Carlisle 17. Jungalbook [sic] - Edward Mast 18. A Thousand Cranes - Kathryn S. Miller 19. The Yellow Boat - David Saar 20. Selkie - Laurie Brooks Gollobin

This book has many different and interesting plays for kids of all ages. Though, for most of them you need a lot of people, they are still pretty good. Thats why I give it 4 stars.

Because it's written by an MD and written for parents plus professionals, you'll find a
little bit better advice than most sources. Chapters cover general information, causes,
"looks like ADD but isn't", learning disabilities, perceptual motor difficulties, mood,
evaluating ADD children, treatment, drugs, and management techniques. Its short and
concise. You won't waste a lot of time reading through tech stuff OR fluff stuff.

Wendy, if you have a sister named Sarah, I am your first cousin (in California)....if not, please disregard...sorry to bother you. Sue Browning sbrowning@vision-quest.net

This anthology contains a collection of short stories by Latin American male writers such as Borges, Rulfo, Donoso, and Cortazar. There are from three to five short stories per author. The editor has included a short biographical entry for each author. Most, if not the majority, of the stories are accessible and easy to read. There is a list of questions at the end of every story to facilitate class discussions.

If you are thinking of purchasing this book, consider buying it used, since it is very expensive.

No merece la pena comprarte lo. Lo que contiene te vas a encantar - pero sale mas barato comprar los cuentos como parte de otra antologia, o de una coleccion del autor (el alef, Borges; el llano en lantos, juan-rulfo, etc) 40 dolares es mucho para un libro tan chico

I think this book is wonderful. It has all the movies Judy Garland was in and what people who worked with her think about her. There is alot of pictures to go with the movie. Over all this is a great book!

I thought this book had great pictures! It showed all the movies she had been in and some of the people she worked with told what they thought about her. It even tells about her t.v. show and tours she went on. Judy garland in AMAZING!

I read this book wearing my corporate glasses. Having worked in corporate (multi-national) America, I was biased. I have seen many mission statements which claim to improve peoples lives, but have yet to see this implemented in the daily corporate work processes. And the question managers mostly ask is: where is the data that shows that corporations can make money on good business practice? Well, this book changed all these misconceptions for me. It was lucid, very convincing and extremely well researched. For a cynic, its hard to admit that I am now a convert. I gave the book four stars because: 1. it is filled with references and cases to real companies and their proven track record of success with new strategies, 2. it provides the reader with convincing data and facts and 3. it demystifies buzz-words and has come a long way in shedding the fluff which often dominates this field. The book is structured in a way that you can read chapters independently of each other-which is great for the manager on the run. But this is also why I withheld the last star. The introductions to each chapter tend to be a little long and at times repetitive, especially when you read the book chronologically. I highly recommend this book as THE book on corporate citizenship and hope that business schools make it compulsory reading for every budding business student and professor alike. We would benefit immensely from it. Locally, as well as globally.

The stated aim of the book is "to provide you with a source of ideas and examples, giving clear explanations of the issues and language currently dominating discussion about the social and environmental responsibilities of business . . . Reading this book will give you the insight and the answers as to how to evolve into a successful, responsible business. Benefit from the significant initiatives and hard lessons learned by organizations across all sectors, types and sizes" (taken from inside cover).

I believe that the book has achieved this, outlining the main issues of social accountability, documenting numerous real-life examples of companies demonstrating these principles in action, and using these to show how companies have now adopted a more socially responsible way of doing business . . . profitably! In addition, there is a glossary of terms used at the end to help understand the jargon used, as well as a list of contact addresses of organizations mentioned throughout the book.

This is very much a book targeted at managers of corporations, but can be equally relevant for tomorrow's leaders wanting to learn from past mistakes, therefore was an interesting read. I enjoyed reading it and find the principles stated relevant not only to organizations, but to individuals too. My main criticism was that there was a great emphasis on the role of the organization throughout the book, and little was said about the individual until the end. Although I realize that this was the focus of the book (being called "Corporate Citizenship"!!), I think that I might have found it more personally relevant if it also incorporated the role of every stakeholder in society. We all have our part to play, which was occasionally overlooked in this book.

A strange, amusing, and perplexing little book, told mostly through dialogue, about a weirdly cheerful menage a quatre between a handsome middle-aged couple, their dashing widower friend, and a beautiful 18 year old girl, with only the husband and wife ever winding up in bed with one another.

Mr. Middleton dotes on Ann. Mrs. Middleton dotes on Charles. Charles dotes on Ann and Mrs. Middleton. And Ann dotes on being doted on. Author Henry Green presents these people as a gang of befuddled masochists, unwittingly causing themselves great anguish and just as unconsciously enjoying it. The "doting" that they mistake for love is a form of self-torture. Green doesn't treat this doting as perverse. He portrays it as very human and therefore lovable mistake. Needing to feel loved, to feel young and desirable, the Middletons and their friends/would-be lovers try to force love out of others by showering love (or at least professions of it along with clumsy physical demonstrations) on them. None of the characters behaves very well. The best of them, Mrs. Middleton, the good wife and mother, is actually the most adulterously minded, but neither of the men or Ann act with much virtue or good will. And yet Green makes them all likable and all forgivable. He doesn't make us laugh at the characters' foibles but at their predicament. Green isn't as mean as Evelyn Waugh or as angry as Kingsley Amis, fellow Brits who also specialized in comedies of manners. He's not as funny as they are either, but he is a whole lot more humane and more forgiving of his characters' weaknesses.

Henry Green, I have read, would only be photographed from the back. So I thought I should read his novels backwards-- no! not starting at the end of each book, but beginning with his last book, _Doting_. I could only dream that prose would be so powerful. Henry Green is part tape recorder, part poet. He records language as people actually speak. Yet with an artist's careful touch he elevates everything just a bit. In fact, one might argue his style is not plain or straight-forward, but weird. He takes great chances with the English language, but as he makes it across the tight-wire each time, the effect is exhilerating. This is not strangeness for the sake of strangeness, but an approach to novel-writing that takes nothing for granted. Characters reveal themselves through what they say-- and don't say-- and aren't described out of existence. And who are these characters? People who dote on one another but never really love. The Middletons face middle-age by sinking into their own separate worlds of fear and appetite. Henry Green's view of humanity is not reassuring, but it is not unkind either. If anything, this novel can make us wiser as we listen in on these conversations that move in beautiful, life transforming rhythms. This is a book that is too good to be true.

Mr. de Varona's book is one of the best that I have read on the history of Latinos in United States and the people who helped shape this nation before the Mayflower arrived. Easy and intersting to read. It's time to reprint this book!

Here's the true American History book you never read in school. De Varona tells it like it is and opens our eyes to what truly transpired after Columbus (Colon) bumped onto this landmass. If you want to learn more about how Hispanics have enriched the American way of life--and I'm not talking tortillas!--this is your book